Murder and Mendelssohn: A Phryne Fisher Mystery #20

Murder and Mendelssohn: A Phryne Fisher Mystery #20

"Like her heroine, Greenwood has never been more confident and confronting..." —Sydney Morning Herald To the accompaniment of heavenly choirs singing, the fearless Miss Phryne Fisher returns in her 20th ...

About The Author

Kerry Greenwood

Kerry Greenwood is the author of more than 40 novels and six non-fiction books. Among her many honors, Ms. Greenwood ...

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Chapter One As from the pow’r of Sacred Lays The Spheres began to move; And sung the great Creator’s praise To all the bless’d above; So, when the last and dreadful Hour This crumbling Pageant shall devour, The TRUMPET shall be heard on high, The dead shall live, the living die, And MUSICK shall untune the Sky. John Dryden “A Song for St. Cecilia’s Day” It was a quiet St. Kilda morning in the summer of 1929. The Hon. Miss Phryne Fisher was sitting in her jasmine bower, drenched in scent. She was wearing a pale green silk gown embroidered with golden phoenixes, the symbol of the empress. Flaming pearls of longevity burned their way, comet-like, upon her fluttering sleeves. Her hair was as shiny as patent leather, cut in a neat bob which swung forward as she read. She was nibbling a croissant and drinking cafe au lait. With her pink cheeks and red lips and green eyes, she looked like a hand-coloured French fashion plate. Sitting on the table in a pose made famous by Basht, goddess of cats, was her black cat Ember. He was waiting for the tidbits that her fellow breakfaster would undoubtedly award such a beautiful cat who had not even ventured a paw toward that luscious stack of crispy bacon, though if a suitable offering wasn’t made fairly soon, was contemplating preemptive action. Phryne ought to have been reading Vogue, or perhaps some yellow-backed scandalous French novel, occasionally making arch comments to her lover, who would be exhausted from a night of passion. Instead, to ruin the picture, she was reading an autopsy report, and her companion was a tired-out police detective, eating one of Mrs. Butler’s breakfasts and absorbing very strong tea as a corrective to not getting any sleep. Dot, Phryne’s companion, was embroidering waratahs on her hope chest table linen. She fully intended to marry Detective Sergeant Hugh Collins in due course, and had no wish to be found unprepared for that happy event. Tinker and Jane were playing chess in the arbour. Ruth was in the kitchen with Mrs. Butler, cook to the household, shelling peas and discussing ways to cook pineapple. The black and white sheepdog Molly was lying under the table with her head on the inspector’s foot, confident that he would drop bacon rind before his toes went numb. This trick had always worked for Molly, and if it didn’t on this occasion, she had a way of laying her head confidingly in a male lap with just a hint of teeth that invariably produced results. A steady hum of useful activity serenaded Mr. Butler as he sat down on his comfortable chair and sipped his after-breakfast cup of coffee. Fortunately, he could not hear the topic of conversation. “All right,” said Phryne, putting down the report and pouring her favourite policeman another cup of the stewed licorice black tea. Just the way he liked it: enough tannic acid to dye a cauldron full of stockings. To which he then added milk and three lumps of sugar. Generations of tea aficionados rolled in their graves. “I’ve read it. Someone has stifled an orchestral conductor with really quite a lot of sheets of Mendelssohn’s Elijah stuffed down his throat.” “Right,” said the detective inspector. “Seems excessive, even as musical criticism,” commented Phryne. “Your doctor has done a competent examination. Taken samples of blood, urine, and stomach contents. Noted no signs of struggle, no scratches or bruises except those on his shoulders, which seem to mean that the murderer knelt on him while suffocating him. I think those are kneecap marks. And he didn’t struggle because he had a tummy full of—” her eyebrows lifted “—enough opiates to knock out a smallish rhinoceros. In fact, enough to kill him, which makes the added sheet music supererogatory. Baroque, verging on rococo. A flamboyant murderer, Jack dear, with a point to prove.” “Yes,” said Jack. “But what point? I don’t know anything about music. And I don’t know anything about these…these sort of people. I thought…” His voice trailed off and he took a strengthening gulp of the tar-water tea. Phryne smiled. She knew how much Jack Robinson hated asking for her unofficial and potentially world-shattering help. She volunteered. “I have always liked Mendelssohn,” she told him. “Who is performing it?” “The Melbourne Harmony Choir, with the Occasional Orchestra. Amateurs but with professional soloists and a professional conductor,” Jack read from his notebook. “The dead man was called Hedley Tregennis. Forty-five, born in Richmond, separated from his wife, no children. Bit of a reputation for being loud, insulting, and impatient.” “That applies to most conductors,” said Phryne. “See? I don’t know all this stuff. They’re having a rehearsal tonight at the Scots Church Assembly Hall, just before the lantern lecture. Can you come along with me? You’re sure to notice things that I won’t. Just as long,” added Jack Robinson anxiously, noticing the bright interest in those green eyes, “you don’t get the idea that it’s your case, or anything silly like that.” “Of course not,” cooed Phryne. “What time? Can I pick you up?” “Mr. Butler driving?” asked Jack Robinson. Miss Fisher drove like a demon and he had to keep his eyes shut the whole journey, in case he saw how many breaches of the traffic laws she committed, and closing his eyes in a moving car made him queasy. “Yes, there will be nowhere to leave the car on Collins Street.” “Right, then, five thirty at the police station,” he told her. “What’s the lantern lecture?” she asked, as he dropped bacon rinds to Molly, fed Ember a large piece of the same, and wiped his mouth preparatory to facing the world again. “Some bloke called Rupert Sheffield,” he said. “On the science of deduction. Ought to ask him to help,” he added, and left, thanking Mrs. Butler on the way out through the kitchen. Phryne was unexpectedly stung. Science of deduction? What did any man called Rupert know about deduction that the Hon. Miss Phryne Fisher didn’t know? Ridiculous. She shook herself into order like an affronted cat and ate the rest of her croissant with a sharp snap of her white teeth. “We got a case, Guv?” asked Tinker. A Queenscliff fisher boy, he had attached himself at heel, like a small scruffy terrier, and Phryne had decided that he might be useful. As well as being endearingly intelligent. And devoted to Sexton Blake. He had fitted in well. Phryne’s adopted daughter Jane found him clever and was teaching him chess. Her other adopted daughter Ruth liked his appetite, which was reliably voracious, even for cooking experiments which had slightly failed. Mr. and Mrs. Butler appreciated the supply of fresh fish and Dot liked having someone sleeping in the back garden, which made her feel more secure. Molly liked accompanying him on fishing expeditions. Ember tolerated him with his usual amused disdain. Ember was utterly uninterested in any other humans apart from his own family (Phryne, Ruth, and Jane), whom he considered to be under his protecting paw. Others might be awarded some passing notice if they came bearing food. Possibly. Tinker was bearable, and pleasantly free with his fish. That meant that Tinker was enveloped in a glow of approval from the entire household, which in turn had meant that Tinker could be easy in their company. He adored Phryne with his whole heart. And, together with Dot, he worried about her. She was far too bold for someone who was only five-foot-two and weighed in at about seven stone in a wringing wet army overcoat. However, he thought, as he returned to Phryne’s briefing on this odd murder, even the Guv’nor couldn’t get into too much trouble at a choir rehearsal and a lantern lecture. Could she? As he often did, Tinker felt uneasy, and shared a glance with Dot. She was concerned, too. “Any ideas?” Phryne asked her household. “Must be very angry,” offered Jane. “Why angry?” “Didn’t just want Mr. Tregennis dead,” said Jane, who was destined to be a doctor. “He would have died with that overdose. He was dying, in fact, wasn’t he, when the music was stuffed into his mouth?” “Probably,” agreed Phryne. “If the murderer just wanted to get rid of the bloke, then the morphine would have done the trick,” said Tinker, with the callousness of fourteen. “But that wasn’t enough.” “And if the murderer wanted him to suffer, he went the wrong way about it,” said Dot. “The poor man can’t have felt a thing.” “Yes, and isn’t that odd?” commented Phryne. “The music stuffed into the mouth is, as my learned colleague says, an act of rage. But the method of death, as my other learned colleague observes, is peaceful and painless. Not a mark on him, no struggle, no bruises. And from this we can surmise…” “Well,” said Jane, “either the murderer is mad, a person of moods…” “Yes,” said Phryne. “Or?” “Or the murderer is two people,” said Dot. “One who just wants him dead and one who’s real furious at him.” “Yes,” said Phryne, “or…?” “The murderer’s weak,” said Tinker. “Not strong enough to hold the bloke down and suffocate him without drugging him first.” Phryne continued, reading from her notes. Jack had rather meanly taken his file with him. “Now, stomach contents disclose that he had eaten a rather expensive snack just before he died. Half a dozen fresh oysters, a slice or two of smoked salmon, a small piece of stilton, and water biscuits.” “Expensive is right,” commented Ruth. “Stilton has to be specially imported, oysters are really unsafe to eat unless you buy the ones from select fishmongers, and smoked salmon comes from Scotland.” “Correct. As last meals go, it is a rather lavish one. He seems to have drunk…” “Champagne?” suggested Ruth, who knew which wines were appropriate for shellfish. Mr. Butler was a mine of information on the subject. “No, oddly enough, a sweet dessert wine. Muscat, perhaps, or Imperial Tokay,” replied Phryne. “Which is costly, but in my opinion has a tawdry taste and is far too sugary.” “But I bet it would cover up the taste of the poison,” said Dot. “Like putting bitter medicine into syrup.” “Never fooled me,” said Phryne, brooding darkly on the cough medicines of her youth. She particularly had it in for Buckley’s Canadiol Mixture, which tasted like rendered-down pine trees. “But a good notion, Dot dear. Presumably Mr. Tregennis had a sweet tooth, his poisoner knew that, and instead of providing a light dry sparkling wine with his after-rehearsal amuse-bouche, gave him a glass of some noxious wine which would hide the poison. Morphine is extremely bitter. Only other way to hide it would be in a naturally bitter drink or food. Keep that in mind next time you are contemplating murder.” “Six months ago, Miss, I would have been shocked at that comment,” said Dot. Phryne beamed at her. “See how you’ve been coming along, Dot dear? Well done!” Dot was not sure whether this was a sign of growing sophistication or an indication of moral degeneracy, and decided to confess it to her local priest in due course. He was an old priest. He would cope. “The body was found on the floor of the conductor’s room. He had been dead for some time. The cleaning lady found him when she came in to sweep at six this morning. He was last seen—by everyone else—retreating there and slamming the door after an unusually fraught rehearsal. He seems to have been a short-tempered bully, and one wonders if the entire choir—or perhaps only the basses—decided to remove him.” She looked up to see if the joke had registered. No one smiled. She decided that she really must see to the musical education of her minions, and went on. “No sign of any plates, glasses, or cutlery,” she told them. “Whoever brought the food took all evidence away with them. The usual police search found no suicide note, no useful calling cards, matchbooks, foreign coins, obscure words written on the walls, or scales of rare venomous reptiles.” “Oh.” Tinker was disappointed. “The choir departed in a body and caught the tram into Carlton, where they went to a sly-grog pub and sang very rude songs until at least three in the morning.” “But they can’t have been in full view all the time,” objected Dot. “Some of them must have, you know, visited the conveniences, gone out for a breath of air—any one of them could have come back to poison Mr. Tregennis.” “Yes, Dot, true,” said Phryne. “That is why Jack wanted me to come and look at his choristers. In case something leaps to mind.” “Where did the food come from?” asked Ruth, who had been thinking deeply. “That’s not ordinary pie cart stuff, that’s expensive hotel food.” “Another thing which the overworked constabulary are even now trying to ascertain.” Phryne leafed through her notes. “Questions?” “Any sign that he had…been with a lady?” asked Dot, even more convinced of her eventual destination. “No lipstick marks, things like that?” “I am not going to harrow your innocent ears with the ghastly details, Dot, but he certainly hadn’t had any close communion with anyone for some days, and only Jane can ask me how I know that, and only if she looks up the anatomy text first on seminal vesicles. And asks me in private. No lipstick, greasepaint, love bites, or other indelicate things, but long blonde hairs on his coat. Blondes are being asked pointed questions as we speak.” “Because it is the sort of intimate supper they describe in Larousse Gastronomique,” added Ruth. “Oysters, smoked salmon, wine. Even though it’s the wrong wine.” Ruth was aggrieved. Anyone who could afford smoked salmon ought to know that it went with champagne. “It might have been a love affair gone wrong,” said Jane. “Then why stuff music down the poor bloke’s throat?” asked Tinker. Phryne patted his shoulder. “We need, as Sherlock Holmes would say, more data. So I shall go out this evening and get some, and I would rather go alone, darlings. Then I shall come back and we shall discuss it. All right?” “If you say so, Guv,” said Tinker, on behalf of them all. “Good. Very good, all of you.” Phryne smiled general approval. “You have all done very well. Science of deduction, indeed,” she added, and swept into the house to bathe and dress. “It’s just a choir rehearsal,” said Jane to Tinker. “How much trouble can she get into at a choir rehearsal?” “She’s Miss Phryne,” said Dot. “She could get into trouble in heaven. God forgive me,” she added, and crossed herself.

Reviews of

Murder and Mendelssohn: A Phryne Fisher Mystery #20

“Patrons in the front row, beware: Orchestra conductors are dropping like flies….Another action-filled adventure from the Roaring ’20s (Unnatural Habits, 2013, etc.) lifted to the upper reaches of the series by its pointed social commentary.”

Kirkus Reviews

“The unsinkable flapper, Miss Phryne Fisher, returns in her twentieth Australian adventure. Detective Inspector Jack Robinson once again relies on Phyrne’s sophisticated sensibilities to shed some light on a case. This time it’s the murder of conductor Hugh Tregennis, who had been preparing for a performance of Mendelssohn’s Elijah in Melbourne. No one in the choir seems sorry for his loss. Did one of them shove a score down his throat? Phyrne is also occupied with John Wilson, a wartime lover whose affections are usually reserved for men. He is in Melbourne accompanying Rupert Sheffield, a famed code-breaker who is on the lecture circuit. The pompous mathematician discounts Phyrne’s “women’s intuition” until her deductions help save his life and force him to admit his feelings for his traveling companion. Being somewhat ahead of her time in terms of sexual freedom, Phyrne displays an easy acceptance of Wilson’s homosexuality and an understanding of the need for caution in a society that still criminalized the behavior. A must-read for series fans and a charming introduction for those who haven’t yet made Miss Fisher’s acquaintance.”


“The 20th entry in Greenwood’s outstanding historical series featuring the talented and opinionated Phryne (after Unnatural Habits) finds her investigating the death of a musical conductor. Music, MI6, and forbidden love mix to make an engaging case.”

Library Journal

“Patrons in the front row, beware: Orchestra conductors are dropping like flies. That clever, beautiful and sometimes-deadly sexual free spirit, the Honorable Phryne Fisher, is always happy to help her friend Melbourne DI Jack Robinson with investigations in which he feels at sea. Case in point: Widely disliked conductor Hedley Tregennis is found dead, part of the score of Mendelssohn’s “Elijah” thrust down his throat. Before choking on the score, he’d been poisoned with morphine. At Jack’s urging, Phryne joins the Melbourne Harmony Choir, which is rehearsing at the Scots Church Assembly Hall, in search of the killer. Appearing as a lecturer at the same hall is the coldly brilliant and physically striking English mathematician Rupert Sheffield, accompanied by Dr. John Wilson, who’s in love with him. Adding complication, there have recently been several attempts on Rupert’s life, possibly from someone with a grudge against him dating to his work as an agent and codebreaker during the war. Phryne had been Wilson’s only female lover when they were both helping in a field hospital during the hellish battles of World War I. Once she renews their affair, she’s determined to get the self-absorbed Rupert to understand and value John’s love. In an effort to uncover the conductor’s killer, Phryne cultivates the choir members and staff. When a second, equally unpopular conductor is poisoned with arsenic and the attacks on Rupert continue, Phryne enlists the help of her immediate family and diverse friends to help solve both cases.”

Publishers Weekly