
Category: Feature
Categories:
Feature
My Kingdom for a Plot! by Warren C. Easley
By Michael Barson |
Article originally posted on www.bookreporter.com To paraphrase one of Shakespeare’s kings—you know, the one they found under a parking lot in Leicester a few years back—“A plot, a plot! My kingdom for a plot!” I love to write, always have. ...
Feature, Interviews
Violence Is Golden: PW Talks with Martin Edwards
By Michael Barson |
Interview published by Publishers Weekly In Gallows Court, Edwards captures the spirit of detective fiction’s golden age between the world wars. PW: How did you come to write Gallows Court? Martin Edwards: The real driver was my recent involvement in the ...
Feature
My 22 Hours with Mickey Spillane: A Remembrance
By Michael Barson |
The idea was so brilliant, I could barely resist patting myself on the back. It was the Fall of ’75, and I was a 24-year-old graduate student at Bowling Green State University in Ohio working toward my Master’s degree in ...
Feature

The Soundtrack of My Writing Life
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“Where and how do you write? Office? Coffee shop? Laptop? Notebook? Magic pencil?” I love to hear authors answer these questions from readers. Like most humans, I’m a sucker for a hot tip. I figure there’s a secret out there ...
Feature

My Characters And Personality Typing
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Those with familiarity of the Myers-Briggs system of personality ordering will recognize a couple of things about me right away. For one, I’m an introvert—I need lots of solitary time to recharge and rejuvenate. I am comfortable making decisions ...
Feature

Just the Right Amount of Detail
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Screenwriters have a big advantage over those of us who write for print. That fact was brought home to me recently while watching one of the many excellent British mystery programs on PBS. A recurring sequence in these dramas: The ...
Feature

The Smart Detective Conundrum
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Fresh from binge-watching Jenji Kohan’s Netflix series, Orange is the New Black and looking for more of the same, I started on her earlier Showtime effort, Weeds. This show is every bit as wild and crazy and compulsively watchable as I ...
Feature

When Smuggling Meets Screwball Comedy
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I love Romancing the Stone. I love Charade. I don’t care that loving movies from the 80s, the 60s, or even the 40s (Bringing up Baby or The Lady Eve) dates me, because strong, screwball heroines, thrown out of their element, ...
Feature

How to Start Writing a Mystery Novel
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The hardest part of writing a mystery novel is starting. I have a friend who dreads launching into the actual text of his book so much that he’s been writing ever more complete outlines for more than five years. The ...
Feature

Found and Bespoke: When Mystery Writers Mislead
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People at book signings often wonder if there’s some trick or secret technique for writing a mystery. They ask about plot, as if that were the key. The plot is an engine, but engineering the spark plugs is the more ...
Feature

A Thief in Cleveland: Writing My Debut Novel
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Where do I get my ideas? I steal them. One of the metric ton of things I’m fussing about with the release of my first novel, Too Lucky to Live, is: What sort of questions am I likely to get ...
Feature

Diana Gabaldon Discusses “A Clash of Spheres”
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The following essay is by New York Times best-selling author of the Outlander series, Diana Gabaldon. This is one of the most entertaining, elegant and deeply emotional books I’ve read in years. (I’m tempted just to write “EEEEEEEEE!” to ...
Feature

Cultural Diversity in Mystery Novels: Part II
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In December, I wrote about including real life diversity in mystery fiction. Depictions and plots that reflect that are an important part of the issue, but it does not end there. Deeper and more complicated is the question of how ...
Feature

Staying Human: Orwell’s “1984” Revisited
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George Orwell’s 1984 is riding the bestseller lists again, spurred by Kellyann Conway’s ominous reference to “alternative facts” when discussing the crowds at President Trump’s inauguration. This passage from 1984 leapt to many people’s minds: In the end, the party would announce ...
Feature

Pulling Out the Nail: Writing Lessons With Irvin Kershner
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I’ve been thinking about film director Irvin Kershner, as I work on a flat scene that desperately needs a jump start. Kershner died a few years ago, and even then I hadn’t seen him in decades — since an extraordinary ...
Feature

Cultural Diversity in Mystery Novels
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While it is possible to find mysteries, from fluffiest to darkest, that take place in the author’s version of never-never land, I prefer mysteries set in some semblance of the real world. There, diversity equals reality. How do we incorporate ...
Feature

Where Did Joey Getchie Come From?
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Joey Getchie may be 16 years old, but he’s been with me more than three decades. He first appeared on a manuscript page—and in 1983 it was an actual sheet of paper rolled into a typewriter—as one of the protagonists ...